Mansoura Ez Eldin
Translated by Paul Starkey
The sunlight hit you like a truth you were trying
unsuccessfully to ignore. You woke to find yourself on the Corniche, sprawled
out on a wooden bench that had stood for years fixed to the ground.
It was nearly seven in the morning and the cold air
was searing you, while your head felt like a piece of ice shattering under a
powerful hammer.
You remembered you’d been walking along drunk with
your friend at three in the morning, when suddenly you decided to flop out like
that until daybreak. You weren’t ready to face a father who’d curse and scold
you before throwing you out of the house, when his nose caught the smell of the
vast quantities of whisky your friend had bought from the Free Zone for the two
of you to swig. It was a drinking ritual that wasn’t complete for either of you
unless the other one was there.
He failed to persuade you that you shouldn’t sleep in
the street in this bitter wintry weather and after a heated argument, as always
happens when the two of you get drunk, he abandoned you with a laugh. You could
find no excuse for this when you sat down later. You were racking your brain to
remember the details of what had happened from the moment you took the first
swig from the bottle of Red Label until he left you and got into the first taxi
he could find. You let out a yawn as you struggled to move from a lying
position to a sitting position on the wooden bench and smiled with the
contentment of a man who has woken to find himself in his own warm bed. An old
beggar was sleeping curled up a few yards away and a large cat crossed the
street. Meanwhile, you were busily trying to work out how many people had
greeted the light of day sprawled out where you were now, since the time when
someone had installed a number of benches – perhaps for passers-by like
yourself to sleep on – and he too had passed on to God knows where.
But why should you bother about the number of these
idiots with this headache that’s practically splitting your head apart? It’s a
good thing you’ve decided to go home on foot. A walk in this foggy morning
weather might help you wake up. Why are you rubbing your forehead like that?
You’ve forgotten the way to the tumbledown house with
seven storeys. What a mess you’re in now! You’re sticking to the wooden bench
more than before. You almost let out a mocking laugh, but it was nipped in the
bud by the fear that suddenly swelled up.
You haven’t lost your memory, as happens in those film
melodramas with flimsy plots. You’ve just forgotten your way home, though apart
from that you’ve been remembering everything in the smallest detail.
A thick fog was settling over a small part of your
brain. The paths of memory began to expand for a short time, then quickly
contracted in on themselves, leading you nowhere. You sat down cross-legged,
ignoring the speeding cars, squatting like some ancient scribe, trying to
utilise the smallest details to recall the things that were eluding you. Dark
steps, with no precise colour, that you never succeeded in counting despite
your unceasing attempts. You used to go up them backwards, with your hand over
your eyes, perhaps to avoid looking at Aunt Amal, the daughter of Madame Jean,
your neighbour on the upper floor who always walked in a hurry looking
intensely serious and who never paid you
any attention.
You often made fun of Amal – of the fact that she
wasn’t married and of how she looked at you. The look had slowly turned into a
frown, and you had started to feel an obscure sadness whenever her eyes met
yours because she had made you realise that the things that are lost to us are
not lost like that, all at once and forever. Rather, they seep away slowly
until we come up against their loss in a frowning look in place of the old
sparkle in eyes we know well.
Her brother Samih had gone out to play in the street
when your mother asked you to bring her “two cloves of garlic from Aunt Jean”.
You prepared yourself for the shudder that would come over you when you entered
their flat, which was in perpetual darkness. Aunt Amal opened the door for you
with the mischievous look she used to have, and the young boy that was you turned
his eyes from her breast which was visible through her flimsy nightdress. She
closed the door and dragged you into the bedroom where another woman was lying
on the bed, almost naked. Amal dragged you towards her and gave you a long,
greedy kiss while the other girl clapped delightedly. You felt that you could
hardly stand up, there was so much pleasure hidden in that magic thing, but you
also felt extremely embarrassed. Your intuition told you that what had happened
somehow or other concealed a deep mockery of you, and you became quite certain
of it when her friend shouted in an insolent voice, ”What’s up, son? Why don’t
you grow up a bit?” Before you realised, you were running down the stairs. You
continued to avoid Aunt Amal for a long time, though you had meanwhile found
your way to other women, while she became more and more of a confirmed
spinster. No one was to blame. Suddenly, your friend’s laugh burst out in your
head . . . Why do you suppose he laughed at you like that? Try to guess! Have
you forgotten the spectre of the woman that flitted before you in that rundown
bar? – the “champagne lady” as you called her.
She belonged to your friend originally, until he
passed her on to you in a vague fit of boredom . . . and you skilfully picked
her up like a player receiving the ball. At first, you didn’t have any strong
feelings for her, though you kept up your relationship with her for a whole
year before he bet you (again, with no excuse) a bottle of champagne that he
could take her back from you. If he failed, he’d pay for it, and if he
succeeded you’d buy it. You had to pay a tidy sum from your wages for him to
taste his success with champagne, and for some time he had to avoid mentioning
anything to do with her in front of you, though later you began to talk about
her again in passing if the occasion demanded. To ensure the friendship
continued, you both persuaded yourselves that what had happened was just a
passing distraction. A woman, no matter how important, would never make one of
you lose the other. You pretended you had been wanting to escape from her,
while the part he played in this story – often repeated between you, though
sometimes with roles reversed – was the part of the noble saviour who had
rescued you from her before you were killed by boredom. A relative stability
returned to the supposed friendship. But what was it that brought her spectre
to dance between you again?
Don’t walk so fast, you hardly know where you’re
going, you’ve forgotten the way home.
Are you trying to run away from my nagging? Leave your
head on the asphalt in the street, then, for the speeding cars to crush. Stop
your evasions and tell me the truth about that woman. Don’t make do with the
few meagre lines you’re trying to summarise your relationship with Amal with.
Why have you stopped walking? What are these outbursts of raucous laughter from
you? Here you are, still walking through the middle of the crowd. Your friend
is staggering along beside you, the champagne lady’s walking confidently
between the two of you, and behind you Aunt Amal is hurrying along undisturbed,
with her ridiculous spectacles. You can see yourself becoming detached from
yourself, breaking away over and over again so that hundreds of little selves
are formed out of you and disperse in the air. That way you can watch the scene
far better . . . and the variety of
viewpoints will certainly assist you.
From the anthology "Unbuttoning the violin".. Banipal Books 2006.
No comments:
Post a Comment